Tuesday, 19 December 2017
Saturday, 2 December 2017
Sunday, Dec. 3, 12:30 Litany in Procession with High Mass -- Refreshments follow
Litany in Procession followed by High Mass
Credo: Mass for Four Voices by William ByrdMotets:
Canite tuba/“Sound the trumpet in Sion” by Francisco Guerrero Ne timeas Maria by Tomás Luis de Victoria
Credo: Mass for Four Voices by William ByrdMotets:
Canite tuba/“Sound the trumpet in Sion” by Francisco Guerrero Ne timeas Maria by Tomás Luis de Victoria
Saturday, 25 November 2017
Jesus Christ, King of the Universe November 26, 2017
Sung Mass and Confirmation
Entrance Hymn # 385 – Jesu, the very thought of thee (St. Botolph)
Introit
[Cantors] Worthy is the Lamb that was / slain (†) * to receive
power, and riches, and / strength, and honour: *
[Full] to him be glory and dominion for ev//er and ever.
[Cantors] Give the King thy judge/ments, O God: *
[Full] and thy righteousness unto // the King’s Son.
[Cantors] Glory be to the Father, and / to the Son: *
[Full] and to the // Ho-ly Ghost.
[Cantors] As it was in the beginning, is now, and / ev-ershall^be:
[Full] world without // end, A-men.
Worthy is the Lamb that was / slain (†) to receive power,
and riches, and/strength, and honour: to him be glory
and dominion for ev//er and ever.
Kyrie Merbecke
Gloria Communion Service in F Major – Harold Darke
THE LITURGY OF THE WORD
The Lesson (sit) Ezekiel 34: 11-12, 15-17
The Gradual
[Cantors] His dominion shall be also from one sea / to the other: *
[Full] and from the flood unto // the world’s end.
[Cantors] All kings shall fall / down be-fore^him: *
[Full] all nations shall // do him service.
The Epistle 1 Corinthians 15: 20-27, 28
[Cantors] Alleluia, Alleluia, Alleluia.
[Full] Alleluia, Alleluia, Alleluia.
[Cantors] His dominion is an ever/lasting^Dominion, (†) *
which shall not / pass a-way:
[Full] and his kingdom that which shall not // be des-troyed.
Alleluia, Alleluia, Alleluia.
The Holy Gospel Matthew 25: 31-46
The Homily Fr. John Hodgins
Reception and Confirmation of:
Christopher Richard Collins and Edward Thomas Lauder
THE LITURGY OF THE EUCHARIST
Bread and wine are offered with tithes while prayers are said by the priest.
Offertory MODE VI
[Cantors] Desire of / me, (†) * and I shall give ye the nations
for / thine in-heritance: *
[Full] and the utmost parts of the earth for / thy pos-session.
Hymn O What they joy and their glory must be. (Regnator Orbis)
Motet: Tui sunt caeli/ “Thine are the heavens” – William Byrd
Sanctus & Benedictus Merbecke
The Roman Canon (kneel)
The Lord’s Prayer (stand) Merbecke
THE COMMUNION RITE
Agnus Dei Merbecke music – page 54
Communion Mode VI
[Cantors] The Lord remaineth a / King for ever:
[Full] the Lord shall give his people the bless//ing of peace
Communion Motet: O God, the King of Glory – Henry Purcell
THE CONCLUDING RITES (kneel)
Recessional Hymn # 381 – Jerusalem the golden (Ewing)
The Angelus
Please join us following Mass for the Mary, Mother of God
School Sale with refreshments in the Parish Hall.
-------------------------------------------------------
ADVENT LESSONS AND CAROLS
with
BENEDICTION OF THE BLESSED SACRAMENT
Tuesday, December 19
at 7:30 p.m.
SUNDAY, DECEMBER 24
Fourth Sunday of Advent 12:30 pm D.W. SUNG MASS
Christmas Eve * 6:00 pm D.W. HIGH MASS
Monday, 13 November 2017
A Catholic Goes to the Movies - A New Book by Fr. Callam
A Catholic Goes to the Movies, is a collection of thirty-seven film reviews by Father Daniel Callam, CSB. It will be released by Justin Press in November 2017.
The author is the founder and editor of The Canadian Catholic Review. The reviews found in this book were originally published in The Chesterton Review.
Father Callam’s witty and insightful analysis of contemporary films seen through the double lens of the Catholic faith and the works of G.K. Chesterton offers the reader an entirely new perspective on an important medium. The films are seen as mirrors of the culture in which they originate and as windows that reveal both the Christian roots of the culture and the spiritual malaise that afflicts it. The reviews reflect the familiarity of the author with the classics of literature, both English and French.
Fr. Callam discusses the moral problems in twenty-first-century films with dazzling virtuosity and wide-ranging erudition. This is Catholic criticism that is in every way catholic.Father Owen Lee, CSB
The book will be of value to anyone seeking more than entertainment by going to the movies.
A CATHOLIC GOES TO THE MOVIES
199 pages, 14.95 CDN, at www.justinpress.ca.
Saturday, 11 November 2017
Music for Remembrance Sunday - November 12
Kyrie
Missa pro defunctis, Palestrina
Sanctus, Benedictus, Agnus Dei
Missa defunctorum – Jacob C. non Papa
Hymns: New English Hymnal
Let saints on earth in concert sing – Dundee
Contakion of the Dead Kiev Melody
Motets:
Souls of the Righteous – T. Tertius Noble
Beati quorum via – C. V. Stanford
The Royal Anthem with the “Coronation” introduction
Organ Postlude:
Fugue in E-flat Major (Clavierübung III) (J. S. Bach) − J. S. Bach
Thursday, 2 November 2017
Mass Music for Sunday Nov. 5 at 12:30 noon
Before Mass:
Verset 4, “Deposuit potentes,” Magnificat Sexti Toni
− Jehan Titelouze (Organ Works, p. 133)
Kyrie, Sanctus, Benedictus, Agnus Dei:
Communion Service in F Major – Harold Darke
Motets:
Vir erat in terra Hus – Giovanni Pierluigi da Palestrina
O King all glorious – Healey Willan
Fuga sopra il Magnificat, “Meine Seele erhebt den Herrn” (BWV733) − J. S. Bach
Remembrance Sunday Mass at 12:30
An Act of Remembrance for those who have given their lives in service to God and humanity will precede the High Mass on Sunday at STM, Toronto.
Refreshments will follow.
All Canadian Forces personnel are especially welcome.
Refreshments will follow.
All Canadian Forces personnel are especially welcome.
Tuesday, 24 October 2017
Wednesday, 18 October 2017
Sunday Mass Music for October 22
Music at the 12:30 Divine Worship Sung Mass:
Kyrie, Agnus Dei Mass for Four Voices, William Byrd
Gloria, Sanctus and Benedictus John Merbecke
Motets:
Sacerdotes Domini William Byrd
Teach me, O Lord Thomas Attwood
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Portrait of William Byrd circa A.D. 1580 |
Byrd produced sacred
music for use in Anglican services, although he himself later professed the Catholic Faith and wrote much specifically Catholic sacred music. Today his work is widely performed in Anglican and Catholic churches.
Byrd's commitment to
the Catholic Faith found expression in his motets. He composed about fifth
between 1575 and 1591.
Scholars such as
Joseph Kerman have detected a profound change of direction in the texts which
Byrd set in the motets of the 1580s.
In particular there is
a persistent emphasis on themes such as the persecution of the chosen people
(Domine praestolamur ) the Egyptian or Babylonian captivity (Domine tu
iurasti) and the long-awaited coming of deliverance (Laetentur caeli,
Circumspice Jerusalem).
Kerman believes that
Byrd was reinterpreting biblical and liturgical texts in a contemporary context
and writing laments and petitions on behalf of the persecuted Catholic
community.
Some texts should
probably be interpreted as warnings against spies (Vigilate, nescitis enim) or
lying tongues (Quis est homo) or celebration of the memory of martyred priests
(O quam gloriosum).
Byrd's setting of the first four verses of Psalm 78 (Deus
venerunt gentes) is widely believed to refer to the brutal execution of Father (now Saint) Edmund Campion in 1581 an event that caused widespread revulsion on the
Continent as well as in England.
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